Pictureplane isn't that new [he's been active since around 2004]. However, to me it is something new. Signed to Lovepump United, this guy has got some great songs. He also does some cool remixes, I presume. He's also possibly, friend with Teengirl Fantasy and HEALTH [both have been talked about on Serotonin Sounds]. You can check his myspace here.
Below is one dope track of his, entitled "Goth-star":
According to this musician, Jellowaste, he got his looks due to: "...this transformation [due to the fact Tom Cruise injected him with Biotoxin 45 ~ a chemical that was supposed to kill him) was so incredible, the 10 foot radiotransformative aura emitted during the changes turned his car into a neon yellow Firebird ~ complete with a radiation symbol on the hood."
I got to know this artist thanks to Drop Dead Festival... I saw some info about his earlier D.D.F. shows and he sure knows how to entertain a crowd and produce eccentric [and simultaneously good] music / sounds. The track list is the following: 1. Conveyorbelt Supremeincinerator 1:55 2. Dirtpires 2:40 3. Dokytrsle 2:50 4. Dump Slump 2:05 5. Jellybeanery FT The Zodworths 2:37 6. Sludgeplant 1:58 7. Steamengineering 3:03
My favourite songs are: "Dokytrsle", "Dump Slump" and also "Jellybeanery FT The Zodworths" (this one has a collab with one of the members of the band, that is now extinct, Din Glorious). The record's lenght is around 24 minutes and 55 seconds. Jellowaste's myspace can be accessed here. You can get it here (it has around 25 megabytes by the way).
Designer Drugs are a duo from New York. Their genre is electro. Recognized as one of the best upcoming electro groups, these guys make awesome remixes and fine tunes, teaching people a lesson about nightclubbing. They recently produced a free compilation for all you electro fans and it's available for free on their myspace. It's called "Datamix 05". You can download it here.
Surpassing Beatle's L.S.D. for sure, this legendary COIL album is brilliantly haunting. By hearing this record, you can recognize how their self-induced madness aims [at the listener] are achieved. It's an astonishing collection of despair-flavoured tracks, that only make the listener fall more deep into COIL's audible abyss. This album contains 13 tracks:
"Disco Hospital" – 2:18
"Teenage Lightning 1" – 1:49
"Things Happen" – 4:22
"The Snow" – 6:41
"Dark River" – 6:27
"Where Even the Darkness Is Something to See" – 3:05
"Teenage Lightning 2" – 5:09
"Windowpane" – 6:11
"Further Back and Faster" – 7:55
"Titan Arch" – 5:02
"Chaostrophy" – 5:37
"Lorca Not Orca" – 2:04
"Love's Secret Domain" – 3:52
The ones I prefer are: "Chaostrophy", "Dark River", "Love's Secret Domain" and also "Windowpane". This is for certain a must have for any COIL or industrial / experimental eelctronic music fan. The cover work seems to look like an abandoned door carved with awkward drawings, being a forbidden entrance to a social taboo path. Comparing this one to other COIL records, I don't think it's the one with the darker mood. Released in 1991 (although it was recorded during January 1988 to October 1990) its lenght is 60 minutes and 34 seconds. Pierro Scaruffi, an Italian-American culturan historian, rated it 6 out pf 10; All Music rated with 4.5 out of 5 stars. I'd rate it as 7 out of 10 though. Get the album here.
Pure magick. Released in 1998, this was part of COIL's releases during solstices and equinoxes. Predictably, they release other three records of this unusual collection: "Autumn Equinox", "Winter Solstice" and "Summer Solstive". According to my perspective, this one is much more dark than the other ones. It's hypnotic in its own way, dragging you to an infinite field filled with melancholic thoughts. As the other releases of this sort, during 1993 to 1998, COIL were in a more experimental side, evolving to a different stage. They made music with drones, glitches, noise and other awkward methods of self-induced auditive madness (for example, when they made the drone album "Time Machines" I think they didn't sleep for several days). According to wiki: "In March 1998, Coil began to release a series of four singles which were timed to coincide with the equinox and solstices of that year. The singles are characterized by slow, drone-like instrumental rhythms, and electronic or orchestral instrumentation.[13] The first single, Spring Equinox: Moon's Milk or Under an Unquiet Skull, featured two versions of the same song, the second version of which included a electric viola contribution from a newly inducted member, William Breeze. " There are two tracks in this release 2 tracks (as mentioned before): "Spring Equinox part 1" and "Spring Equinox part 2". This cd's lenght is around 16 minutes and 37 seconds. I advise you to hear "Spring Equinox part 2", although both songs are, for sure, marvelous. COIL made celestial music, that didn't transcend beings at the same time. Like Jhonn Balance said when speaking about religious views: "spirituality within nature." You can download this audible piece here.
I consider this artist pure genius. "Why?" Because in all the "IDM" environment he can always blend, create and convert new sounds. His music's b.p.m. can be so high because of all the glitch involved with it and at the same time it can have a bass that flushes your ears until you notice one of your kidneys exploded - you don't care, after all it's Aphex Twin you're absorbing. As a matter of fact, Selected Ambient Works II or S.A.W. II is more soft and relaxing than most of his other albums. Doesn't have all the amount of electricity that you can hear in some tracks in Drukqs; isn't so intense as some beats looped on 26 Remixes for Cash; features some of the ambient elements that can be found along some songs in Selected Ambient Works 85-92. This album contains 2 cd's. I like both. Like the post I did before with Panda Bear's "Young Prayer", this album's tracks don't have title... In fact, they have, but Richard David James / Aphex Twin didn't want to insert the names on the album. You'll have to view them here. The 3rd song on the 1st disc, Rhubarb Song, I think, is seriously an ambient masterpiece (according to what I can hear with my ears). If you want to hear this album, which is a good bet, click disc 1 and disc 2 then.
Liars consist of a three-piece experimental rock band that was born in New York (its early years were lived at that urban cage). Currently, these Liars are living in Berlin, Germany. The band's members are: Angus Andrew (vocals/guitar), Aaron Hemphill (percussion, guitar, synth) and Julian Gross (drums). This is their 4th album and their latest one (it was released in 2007). Mute Records released their album. I think it's more accessible than most of their albums, but its really good at the same time. The songs featured in it are trippy sometimes ("Plaster casts of Everything"- watch the videoclip too) and other times they convert themselves into eccentric sound waves that wash your brain with a peculiar and semi-ambiguous mix of emotions ("Houseclouds", "Sailing to Byzantium", "Protection" and "The Dumb in the Rain"). The album's lenght is 39 minutes and 6 seconds. The producers are the following: Liars and Jeremy Glover. You can get the album here - have fun.
Black Dice have been classified as an experimental electronica group. I'd say they fit into a category called "noise/electronica/experimental/dissonant/weirdo electro". You have to hear them to understand what I'm talking about. "Based out of Brooklyn, NY, the trio is fiercely independent, doggedly disciplined, and uncompromisingly DIY in approach. The music currently retains elements of noise and proto-industrial experimentation, while at the same time organically suggesting minimal, electronic, hip-hop, and psychedelic ideas as well as those of punk, tropicalia, and dub. Consistent to every era and all of their material is an irreverent, aggressive, hand-made aesthetic that simultaneously revels in and reconfigures the whole of popular culture." said a random blogger. They've started this band in 1997. Currently, their label is Paw Tracks (the label that Animal Collective made, that has released records from Panda Bear and Jane, too). This album [Repo] has 14 tracks, ranging each one from 0:21 minutes to 6:29 minutes. This music is described as ambient / noise / electronic. It surely is something thrilling. Gig wise gave them 4 stars out of 5 stars. Pitchfork gave them 7.1 out of 10.0. The album is available here and if you are into this type of music, you should also hear other stuff from Paw Tracks (Panda Bear has made a few tracks in his album "Person Pitch" that were similar to Black Dice).
Here you have the fifth track from "Repo": La Cucaracha.
This debut album was released this year and they're making efforts to make their second synth/avant-pop/indie/club/ soft electro masterpiece arrive on stores by the end of this year, I believe (or at least, as Busy Gangnes told me, they're working on their album this Fall). Pitchfork only gave them 6.7 out of 10.0... I think it's because, as Melissa Livaudais said in an interview, when she was working as a waitress at a bar, the guy who reviewed their album, was unsatisfied with Melissa, who (as she said) was in a bad mood and didn't answer him that well. I think it's a bit childish to review an album because of this happening, but the world is full of people who suffer from Peter Pan's syndrome. Other reviews: Uncut gave them 70 out of 100; Slant Magazine gave them 4 stars out of 5 stars; Drowned in Sound says that this is one of the year's best albums, along with Animal Collective's "Merryweather Post Pavillion"; BBC said they have potential but must make more efforts; etc. They hail from the hipster epicentre - you guessed it - Brooklyn, NY. With fellows like MGMT, High Places, LEIF, Das Racist and many other artists rising from this nest of music, Telepathe managed to get out of there (they criticised the too much "experimental spirit" in Brooklyn and admitted they didn't know that much of what was/is going on there). They come more specifically from Williamsburg, yeah, the artsy part of Brooklyn, also home of some considerable number of fellow jews. Chrome's on it had been previously released on a EP, I think, which consisted of around 7 remixes of the song, from various cool bands. So Fine is their mind-lifting single- I love it. Trilogy is their biggest song, which is touching and with somewhat subjective lyrics. I can't stand it is also a great song, that has an awesome start, with synths and then Busy and Melissas' voices crashing together, in a way they become one single compact and angelical voice. The album has around 45 minutes of nice, ear-softening music and sounds, that delight me. You can try it out here, it's really worth it (I've done a review previously, but someone erased it... at least they could've told the blog owners).
Their awesome "So fine" hit can be heard below and features as bonus the official videoclip:
Imagine a gangster clown on the streets of Huntington Beach boosting sounds with his subwoofs, having a blast. People had their kidnies desintegrated due to the intense frequencies of the mad bass that this music offers us. Yes, I'm speaking of OttoVonSchirach. An amazing breakcore and IDM artist he is. With this review, my target is his album released on 2006, which is called "Maxipad Detention". Even though I've heard better sounds of him on his myspace for sure, I really enjoy the glitches, the irony, the intense spasms that these waves sent to our ears. Kind of somewhat dark, agressive in his own way, this album is great for IDM fans. It's like he's a gangster side of Aphex, that can feature more laughable horror in his music. Otto's a great artist, that's what I can assure you. He'll give you as much pleasure as neurotic headaches, that you'll salivate for more. Let your ears bleed and enjoy this album. Click here.
(This is the cover of the album released in December 9 of 2008)
Fennesz released "Black Sea" actually in November 25 of 2008, but the CD I own has a different artwork which was released in December 9 of 2008. This album is a wave of white noise with Fennesz distinctive experimental class. Working again mainly with conventional instruments like guitars and computers, his album is great. It works as a collective of good dark ambient and drone musical pieces that brush and clean your ears. With me, this album has such a relaxing effect that I even fell asleep (I don't say this in a bad way, keep that in mind). All the tracks featured on this album are fluid, being coherent when blending with the next songs. The album's lenght is about 52 minutes too.
(This is the front cover of the album that was released in November 25 of 2008)
You can try hearing this album by clicking here or otherwise, if you are really fond of these sounds, buy it. But first, you should try eating the sounds of the self-titled track "Black sea". Watch the video that's located below these words:
I must say that this album impressed me: it showed the softer side of drum 'n bass. It was my philosophy teacher who gave it to me (I gave him a Saat CD called "Emtidi"). It mixes various genres, like old school drum 'n bass and ambient music (can also be categorized as electronica and dance music). Featuring an incredible arsenal of great breakbeats and fabulous synths, this audible artwork is really good to chill-out. Recorded in 1995, byMark Clair & Dennis McFarlane, who together make 4Hero (this is an another project of these men), along with other artists (Samantha Powell,Juan Atkins and Josh Wink) this CD is worth hearing. Jacob's Optical Stairway is one of aliases of 4 Hero. Who's into drum 'n bass and similar types of music (like ones played on lounge rooms) should give it a try. The album's lenght is also quite good: it has 55 minutes and 52 seconds: an average good time for a record that fits this type (jungle, drum 'n bass, etc.). Now talking about the cover of this album, I don't know what exactly it is, but I presume it's digital artwork. It seems to me there are some cells and on the background a lizard's eye or a cracked red hole. If you're curious about this work, click here to obtain it (it's a torrent, since I couldn't find a rapidshare or megaupload link).
Next I'll show you a videoclip with the track number 7: "harsh realitys".
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