Showing posts with label brooklyn. Show all posts
Showing posts with label brooklyn. Show all posts

Monday, December 6, 2010

Das Racist "Sit Down Man"


One of the best hip hop albums I've heard lately, it features an unusual kind of nonsense lyrics (at least it seems so, many of the times). Produce by a great variety of artists (including Diplo here), it has been considered a great achievement by Das Racist, innovating rapping.
These guys are really original, they even did a videogame, which is similar to their videoclip of the song "Who's that? Brooown" [also included on this album]. Click here to play the videogame.
A good example of these "dada" lyrics (like I've seem some people name them) are the ones featured on "hahahaha jk". Even old Das Racist songs like "Combination Pizza Hut and Taco Bell" point at this sort of style.

The playlist is the following:
01. wkcr stretch and bobbito show w quincy jones (intro)
02. all tan everything (ft. jay-z) [prod. sabzi]
03. puerto rican cousins [prod. gordon voidwell and alex kestner] ^
04. hahahaha jk? [prod. boi-1da]
05. town business (ft. kassa overall) [prod. kassa overall]
06. commercial [prod. teengirl fantasy] *
07. people are strange [prod. devo springsteen] **
08. luv it mayne (ft. fat tony & bo p) [prod. tom cruz]
09. amazing (ft. lakutis) [prod. keepaway]
10. fashion party (with chairlift) [prod. chairlift] *
11. rapping 2 u (ft. lakutis) [prod. sha-leik]
12. rooftop (ft. despot) [prod. dame grease]
13. irresponsible (ft. lakutis) [prod. like magic + das racist]*
14. return to innocence [prod. dash speaks]
15. julia (the very best remix) [prod. das racist]
16. roc marciano joint (ft. roc marciano) [prod. mike finito]
17. you can sell anything [prod. diplo]
18. sit down, man (ft. el-p) [prod. scoop deville]
19. sit down, people (by dapwell and quincy jones)

executive produced by le’Roy benros for noizy cricket!! & himanshu suri for greedhead entertainment

mixed and recorded by daniel lynas at wonderful studios except where otherwise noted.


I highly recommend this one. Acquire it. Also, check out their official website.
Below is one of my fav songs, "hahahaha jk":

Sunday, February 21, 2010

A Storm of Light "And We Wept the Black Ocean Within"

A recent band (they started around 2007), they are sometimes labeled as post-metal and other times as doom metal. From Brooklyn, not all this trendy hype bands are born: this band is a fine argument.
This record has a more doomy approach, according to my ears. Their music features slow and dense rhythms, with guitars raging the air with their high distorted notes. Blend despair with music and you get A Storm of Light.
The tracklist is:
  1. Adrift (the albatross I)
  2. Vast and Endless
  3. Black Ocean
  4. Thunderhead
  5. Undertow (the albatross II)
  6. Mass
  7. Leaden Tide
  8. Breach (the albatross III)
  9. Descent
  10. Iron Heart

My favourite tracks are: "Black Ocean", "Mass" and "Iron Heart". The whole album is great though: and it's the band's debut record, don't forget this. Since then, they've released 2 more albums.
Their myspace can be accessed here.
The album is available here.

Below is the third track, "Black Ocean":

Monday, September 14, 2009

High Places "High Places"


High Places
released their debut album in 2008, self-titled "High Places". It's good, even Pitchfork reviewed it as one of the best new albums of that year. I totally advise you to hear it, if you're into more soft indie pop or/and psychedelic pop genres. Synths, nice feminine vocals and some sort of bongos that seem to fit always well with their music.
They were formed in Brooklyn, NY (in Williamsburg, I think, the epicentre of all these new indie artists... MGMT, Gang Gang Dance, Das Racist, Chairlift, Telepathe, etc.).
Recently, this duo has relocated to Los Angeles and its label is named Thrill Jockey.
Like many bands who are similar in some ways to High Places, this band also features their own blog. Of course they also have a myspace page.
The album's lenght is only 30 minutes, however one of the tracks, "From Stardust to Sentience", was listed as the 417th best song of the 2000's by Pitchfork.It was released September 23, 2008.
You can get this album right here. By the way, they've also released a compilation.

One of my favourite songs of them can be heard along with an unnoficial videoclip right below:

Tuesday, September 8, 2009

Telepathe "Dance Mother"


This debut album was released this year and they're making efforts to make their second synth/avant-pop/indie/club/ soft electro masterpiece arrive on stores by the end of this year, I believe (or at least, as Busy Gangnes told me, they're working on their album this Fall).
Pitchfork only gave them 6.7 out of 10.0... I think it's because, as Melissa Livaudais said in an interview, when she was working as a waitress at a bar, the guy who reviewed their album, was unsatisfied with Melissa, who (as she said) was in a bad mood and didn't answer him that well. I think it's a bit childish to review an album because of this happening, but the world is full of people who suffer from Peter Pan's syndrome. Other reviews: Uncut gave them 70 out of 100; Slant Magazine gave them 4 stars out of 5 stars; Drowned in Sound says that this is one of the year's best albums, along with Animal Collective's "Merryweather Post Pavillion"; BBC said they have potential but must make more efforts; etc.
They hail from the hipster epicentre - you guessed it - Brooklyn, NY. With fellows like MGMT, High Places, LEIF, Das Racist and many other artists rising from this nest of music, Telepathe managed to get out of there (they criticised the too much "experimental spirit" in Brooklyn and admitted they didn't know that much of what was/is going on there). They come more specifically from Williamsburg, yeah, the artsy part of Brooklyn, also home of some considerable number of fellow jews.
Chrome's on it had been previously released on a EP, I think, which consisted of around 7 remixes of the song, from various cool bands. So Fine is their mind-lifting single- I love it. Trilogy is their biggest song, which is touching and with somewhat subjective lyrics. I can't stand it is also a great song, that has an awesome start, with synths and then Busy and Melissas' voices crashing together, in a way they become one single compact and angelical voice.
The album has around 45 minutes of nice, ear-softening music and sounds, that delight me. You can try it out here, it's really worth it (I've done a review previously, but someone erased it... at least they could've told the blog owners).

Their awesome "So fine" hit can be heard below and features as bonus the official videoclip:
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