The Atom Smashers "First Strike" LP

The Atom Smashers cannot be inserted into a single genre, I tell you. Monte Cazazza is included here, by the way: which only adds more pepper to this record. The other members here are Chris Warden and Joseph T. Jacobs.
Released in 1986 on Pathfinder Records.
The track list is the following:

A1	Birth Control
A2	"A" is for Atom ("B" is for Bomb)
A3	If Thoughts Could Kill
B1	Sex is No Emergency
B2	Dead Cats Don't Swing
B3	Mark of the Devil

My favourite tracks here are: "If Thoughts Could Kill", "Mark of the Devil" and "Birth Control". Kind of a nihilistic and sarcastic vibe, like you'd expect from Monte's works, these songs include sound collages, synthesizers and tribalesque percussion.
You can get it right here [48.6 megabytes]. Enjoy.

Below, "A" is for Atom ("B" is for Bomb)":

Big Black "Atomizer"

Big Black's career started around 1982. They didn't found much mainstream success, however they've influenced the early industrial rock scene and have been remarked as a "must" for any person who's into noise. Their use of provocative lyrics garnered much attention.
This album entitled "Atomizer" (which is their debut album), as received good reviews .Take this into consideration: All Music gave it 4.5 out of 5 stars. Their brutal slashing guitars and great use of drum machines were widely influencial. This album is included in the book 1001 Albums You Must Hear Before You Die. I know this sounds awkward, but the singer's [Steve Albini] voice of Gray Matter's vocals.
The track list for this album is:

1. "Jordan, Minnesota"
2. "Passing Complexion"
3. "Big Money"
4. "Kerosene"
5. "Bad Houses"
6. "Fists of Love"
7. "Stinking Drunk"
8. "Bazooka Joe"
9. "Strange Things"
10. "Cables" (live)

My favourite ones are: "Passing Complexion", "Stinking Drunk", "Big Money" and also "Kerosene". The album's lenght is 37 minutes and 37 seconds. The whole album is really dense and has a lot of cohesion along the song's transitions. Some people who aren't into "noise" should think about this fact: this work has more thoughts behind than it seems.
You can get the album here too.

Below is "Passing Complexion":

SPK "Zamie Lehmanni: Songs of Byzantine Flowers"

SPK formed in 1978 in Sydney, Australia, was a 1980s and early 1990s industrial music and noise music group. SPK stands for many names. Probably, the most important of them all, that influenced two members of the band, Graeme Revell and Neil Hill, was Sozialistisches Patientenkollektiv. This album that I'm reviewing is about the post-industrial SPK, more commercially oriented (however, I consider this album to be an exception, since it isn't as synthpop-ish as "Machine Age Voodoo", the previous album). This one is more about electronic orchestral work: it can also be labeled as contemporary classical ambient.
The track list is the following:

1. "Invocation (to Secular Heresies)" - 5:16
2. "Palms Crossed in Sorrow" - 5:05
3. "Romanz in Moll (Romance in a Minor Key)" - 4:15
4. "In the Dying Moments" - 6:41
5. "In Flagrante Delicto" - 7:31
6. "Alocasia Metallica" - 6:07
7. "Necropolis" - 5:29
8. "The Garden of Earthly Delights" - 3:18
9. "The Doctrine of Eternal Ice" - 4:25

My favourite tracks are: "In the Dying Moments", "In Flagrante Delicto", "Necropolis" and "The Garden of Earthly Delights". The album's lenght is 48 minutes and 10 seconds.
The song "In Flagrante Delicto" is marvelous and features angelic vocals, backed up by haunting and obscure dark ambient sounds.
You can get the album here.

As a preview to this album, try hearing "In Flagrante Delicto" below: