Nurse with Wound "Rock 'n' Roll Station"

This record seems to fuse spoken word with hip hop, but of course with this awkward NWW touch attached to it. Think of Saul Williams making musique concrète while improvising lyrics and shouting them. This would be far more strange than that thought of yours (if you could imagine it, at least). I can imagine why Steven Stapleton made a record like this: because of his hip hop fascination (particularly Snoop Dogg, I presume).
The track list is the following:

1		Rock 'n Roll Station	6:38
		Written-By - Jacques Berrocal* , Vince Taylor
2		The Self Sufficient Sexual Shoe	5:53
3		Two Golden Microphones	17:03
4		A Silhouette And A Thumbtack (Dance In Hyperspace)	9:56
5		R+B Through Collis Brone	5:52
6		Finsbury Park, May 8th, 1:35 pm (I'll See You In Another World)	13:01

I highly recommend this album.

Below, I included a live video of Jean-Hervé Péron from FAUST performing along with Steven Stapleton. The song featured here is "Rock 'n Roll Station" (a bizarre spoken-word song, kind of reminds me an experimental hip-hop side):

Caribou "Swim"

While diving deep into this sea of sounds, I realize how Daniel Snaith, Caribou's mastermind, has this peculiar gift of turning every sound into something catchy and audible. Like if most found sounds were turned into a beat taken away from a pop song.
Let's say this album has been reviewed by most music critics, magazines and other "trustful" sources above 80% in average. It's a must.
It is his first new album of material since 2008 Polaris Music Prize-winning Andorra.

The track list is the following:

1. "Odessa" – 5:15
2. "Sun" – 5:44
3. "Kaili" – 4:41
4. "Found Out" – 3:18
5. "Bowls" – 6:20
6. "Leave House" – 5:11
7. "Hannibal" – 6:14
8. "Lalibela" – 2:25
9. "Jamelia" – 3:58

My favourite tracks are: Odessa, Bowls and Jamelia.

Below is Odessa's videoclip:

[interview] Pictureplane

Fortunately, I could interview Pictureplane. Fusing house with psychedelic themes, transcending cliché acid house, this artist could easily make a tune that would be a hit in many discos, if people nowadays cared more about music when they go to a disco. He also makes magic with a Microkorg [how I envy him, I wish I could be that good with my synth].

Serotonin Sounds: What do you think of Witch House? I asked you this one because I see you use lots of "occult" related images, like the triangles and ourobouros, etc.

Pictureplane: dont think a lot of people know this, but i invented the term "witch house" ! the first time it was used was on my blog. my friend shams and i were joking around about a new style of occultish house music that we were making. and we called it witch house. it actually is supposed to be house music, not the slow stuff that is being called witch house. i dont know how it took off on the internet like it did, but it is really interesting.

SS: What are your influences?

PP:contemporary art, fashion, the future, mysticism, the occult, aliens, the "other", the hidden, mysteries, touch, sex, magic. oh , and other music.

SS: You seem to have a wide musical taste. You like Siouxsie and the Banshees and at the same time make your own music: with this I mean, why do you feel related with these more dark trends and at simultaneously make your music, which seems to be happier?

PP:there has always been a darker element to my music. a lot of my old lyrics were really violent and stuff. i always liked that juxtaposition. i love pop music. and my music is meant to be positive and optimistic. so that is why it sounds happy i think. music and art can look or sound a certain way but still carry different meanings. of course. i like to hide things within my songs. but at the same time, i have always been influenced by "dark" music.

SS:Are you the author of your artwork?

PP:of course. i went to school for painting actually. visual art is a huge part of my life.

SS:When playing live, you use a Microkorg, right? When producing, you still use the Microkorg? And do you use any other synths too while producing?

PP:i love my mikrokorg! i have had it for 6 years. it is covered in dirt and some keyes are missing. i am trying to get a new synth, but i am pretty poor and i am also a wizard with the korg. it is the only thing i use really.

SS:Would you like your music to be played at discos?

PP:more pictureplane at discos!

SS:Are you planning to sell some of your t-shirts online? [I want one, hehe]

PP:yes! HOPEFULLY THAT WEBSITE WILL BE UP SOON.

SS:Do you like Throbbing Gristle? If so, how have they affected your music?

PP:i am an extremely huge fan of throbbing gristle. more so for their concepts and theories about culture, the world, freedom and magik. i honestly never really "listen" to them, but i am constantly reading about them and studying them. i collect writings by genesis p. orridge, who is probably one of my biggest life inspirations. genesis forever.

SS:Choose one band / musical group you're enjoying lately and tell us why.

PP:future islands. i have loved this band for a while, but they have a new album and just performed at where i live in denver, rhinoceropolis. and they blew me away. they are one of the best live bands and their music is so emotional and beautiful. they are truly a special and rare band. not enough people know about them.


Thank you once again, Pictureplane.

Sickboy "Time to Play"

"Sickboy has more than upped the ante with this hairsplitting slab of digitized breakestral chaos, never suggesting melodies or functional rhythms it draws from but juggling without remorse on the dividing line between acceptability and grimy flavoured cynism."

This album is probably one of my favourite Sickboy works. It just blends eccentric beats, awkward cartoon themes with some gabber influences.

The track list is:
1. Saturn's Return 4:31
2. Darkwing Droog 3:45
3.Don't Stop Now 5:43
4. Take Me On 5:26
5. Time To Play 5:57
6.Bogan Melmac 3:38
7. Doofemilius 3:36
8. Alundra 3:51
9. Spartan Gabba 5:15
10. Lotsa Pretty 4:05

The tracks I like the most are "Don't Stop Now", "Take Me On" and "Doofemilius".
The track "Don't Stop Now" is probably one of the most intense tracks, perfect for ravin'.

Check out Sickboy "going mad" live:

[gig reviews] PAUS live at Fnac do Chiado in Lisbon, 21st June 2010

The gig started with an unforeseen situation: the band didn't have their EP there [the gig's aim was to present it], because Fnac had some problems and couldn't make it on time.
With that fact put aside, the gig went well. Joaquim and Hélio sure know how to play drums and are most of the time well synchronized. I also like the concept of the "siamese drums".
Makoto Yagyu played bass most of the time and on one or two occasions, he played synth. João "Shela" fills the air with his sort of "new age-ish" synths. The 4 band members make music that isn't very easily labeled.
However, most of the crowd enjoyed the gig and the band set the volume higher, to "provoke" Fnac, since they didn't behave very well.
Unfortunately, I didn't film because I left the camera's batteries at home [shame on me].
Here it is the band's myspace.